Lady Macbeths Daughter

Raised by three strange sisters, Albia has never known the secrets of her parentage. But when Macbeth seeks out the weird sisters to foretell his fate, his life is entangled with his unknown daughter's. When Albia foresees the terrible future, she becomes determined to save Macbeth's rival-and the man she loves-from her murderous father. Klein's seamlessly drawn tale makes it seem impossible that Albia was not part of Shakespeare's original play..

Freya and Frankie's longing for a baby has put their marriage under strain. IVF is their last hope – but how do you bring a child into the world if you don't know who you are? Freya's mother Lilias (an actress on and off stage) will tell her nothing about her father, not even his name. When Freya signs on at a fertility clinic, she discovers a new capacity for deception in herself, while Lilias is forced to confront the limits of pretence. As the lies and secrets unravel, it seems mother and daughter have more in common than either of them suspects..

This book analyses the ways contemporary fiction writers draw on Shakespeare - the man, his work and his cultural legacy..

An Ancient Mystery Solved Scholars, professors, and historians have wondered for centuries how and why Lady Macbeth, the beautiful, beloved wife of a nobleman, had to encourage―nay, push―her husband, Prince Macbeth, to commit the ghastly crime of killing the king. The great Sigmund Freud himself said that nobody knows why the Lady did so. Dr. Alma Bond spent many years searching for the reason. Read Lady Macbeth: On the Couch to learn the answer to this ancient mystery, and to get a fascinating, first-hand look at life more than a millennium ago..

Something wicked this way comes . . . Gruoch is born to rule, but long before she becomes Macbeth's queen, ancient forces claim her soul. Marked from birth by the old gods, Gruoch is initiated into the ancient religion of her ancestors and begins learning the mysteries of the Goddess Cerridwen. But not everything is as it seems. Soon the Battle Goddess Morrigu imposes her will, and Gruoch finds herself at the mercy of the Wyrd Sisters. With King Malcolm plotting, the Wyrd Sisters schooling her in arcane craft, and haunted by dreams of a raven-haired man she's never met, Gruoch feels her fate is not her own. That is, until she meets a druid named Banquo. Gruoch's heart is swept away when Banquo awakens something in her more powerful than duty, magic, or destiny: love. This retelling of Shakespeare's classic work leads readers through an unforgettable saga of one woman struggling to escape her fate without blood on her hands. Begin the Saga with Lady Macbeth: Daughter of Ravens..

Lady Macbeth has haunted American history since the conflicts of Shakespeare s England spilled over into New England s real witch hunts. To reveal how Lady Macbeth entered American politics as an icon for the First Lady, this investigation focuses on the prominent actresses in the role, how they performed, and their effect on audiences anxious about the country s First Lady and her influence over the President - especially at times of war. Smith ably shows how the various Lady Macbeths have both reflected and shaped the image their contemporaries have of the ambitious political wife, producing parallels that converge dramatically in twentieth-century "witch hunts.".

Shakespearean Echoes assembles a global cast of established and emerging scholars to explore new connections between Shakespeare and contemporary culture, reflecting the complexities and conflicts of Shakespeare's current international afterlife..

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics..

Will Shakespeare is about to meet the girl who will change his life forever. After a mixed-up courtship with the Hathaway sisters ends badly, Will jumps at the chance to go to London, where he can pursue his dream of becoming an actor. There, Will meets the unusually tall (and strong) Meg who has earned the nickname "Long Meg" for her height. She's also fleeing her own past as an orphan turned thief. Disguised as "Mack," Meg was once a member of a band of boy thieves who betrayed her. When Will is robbed by those same villains, Meg disguises herself as "Mack" again--telling Will that Mack is her twin brother--in order to help Will recover his money. As Mack, she finds true friendship with Will. But is there more? And who is Meg really fooling with her disguise? What ensues is a tale involving love triangles, mistaken identities, and the pursuit of hapless villains, as Shakespeare becomes a key player in a lively drama that could have sprung from his own pen..

From towering crags to misted moors and formidable fortresses, Lady Macbeth transports readers to the heart of eleventh-century Scotland, painting a bold, vivid portrait of a woman much maligned by history. Lady Gruadh—Rue—is the last female descendant of Scotland’s most royal line. Married to a powerful northern lord, she is widowed while still carrying his child and forced to marry her husband’s murderer: a rising warlord named Macbeth. As she encounters danger from Vikings, Saxons, and treacherous Scottish lords, Rue begins to respect the man she once despised. When she learns that Macbeth’s complex ambitions extend beyond the borders of the vast northern region, she realizes that only Macbeth can unite Scotland. But his wife’s royal blood is the key to his ultimate success. Determined to protect her son and a proud legacy of warrior kings and strong women, Rue invokes the ancient wisdom and secret practices of her female ancestors as she strives to hold her own in a warrior society. Finally, side by side as the last Celtic king and queen of Scotland, she and Macbeth must face the gathering storm brought on by their combined destiny. This is Lady Macbeth as you’ve never seen her..

The collective trauma of the COVID-19 pandemic. Digital shaming. Violence against women. Sexual bullying. Racial slurs and injustice. These are just some of the problems faced by today's young adults. Liberating Shakespeare explores how adaptations of Shakespeare's plays can be used to empower young audiences by addressing issues of oppression, trauma and resistance. Showcasing a wide variety of approaches to understanding, adapting and teaching Shakespeare, this collection examines the significant number of Shakespeare adaptations targeting adolescent audiences in the past 25 years. It examines a wide variety of creative works made for and by young people that harness the power of Shakespeare to address some of the most pressing questions in contemporary culture – exploring themes of violence, race relations and intersectionality. The contributors to this volume consider whether the representations of characters and situations in YA Shakespeare can function as empowering models for students and how these works might be employed within educational settings. This collection argues that YA Shakespeare represents the diverse concerns of today's youth and should be taken seriously as art that speaks to the complexities of a broken world, offering moments of hope for an uncertain future..

A new collection of the renowned Russian writer's best short work, including a masterful translation of the famous title story. Nikolai Leskov is the strangest of the great Russian writers of the nineteenth century. His work is closer to the oral traditions of narrative than that of his contemporaries, and served as the inspiration for Walter Benjamin's great essay "The Storyteller," in which Benjamin contrasts the plotty machinations of the modern novel with the strange, melancholy, but also worldly-wise yarns of an older, slower era that Leskov remained in touch with. The title story is a tale of illicit love and multiple murder that could easily find its way into a Scottish ballad and did go on to become the most popular of Dmitri Shostakovich's operas. The other stories, all but one newly translated, present the most focused and finely rendered collection of this indispensable writer currently available in English..

Five great stories from one of the most quintessentially Russian of writers, Nikolai Leskov. In the best of Leskov's stories, as in almost no others apart from those of Gogol, we can hear the voice of nineteenth-century Russia. An outsider by birth and instinct, Leskov is one of the most undeservedly neglected figures in Russian literature. He combined a profoundly religious spirit with a fascination for crime, an occasionally lurid imagination and a great love for the Russian vernacular. This volume includes five of his greatest stories, including the masterful Lady Macbeth of Mtsensk. Nikolai Semyonovich Leskov was born in 1831 in Gorokhovo, Oryol Province and was orphaned early. In 1860 he became a journalist and moved to Petersburg where he published his first story. He subsequently wrote a number of folk legends and Christmas tales, along with a few anti-nihilistic novels which resulted in isolation from the literary circles of his day. He died in 1895. David McDuff is a translator of Russian and Nordic literature. His translations of nineteenth and twentieth century Russian prose classics (including works by Dostoyevsky,Tolstoy, Bely and Babel) are published by Penguin..

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Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright’s medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare’s plays..

In 1616, William Shakespeare shuffled loose the mortal coil. In honor of his death four centuries ago, Ana Maribel de Moncada, Panamanian, professor of English at Panamas Universidad Especializada de la Amricas (UDELAS) created Desdemona, Lady Macbeth, and Cleopatra: Tragic Women in Shakespeares Plays, a literary analysis of three of Shakespeares most compelling, complicated, and cherished characters. Using information and insight gleaned from the works of her peers and other Shakespearean experts, Ana Maribels scholarly analysis of the importance of these three women as characters drew heavily upon the foundational works in which they appeared. The stories of Desdemona, the doomed wife of Othello; Lady Macbeth, the scheming queen from Macbeth; and Cleopatra, the all-powerful but ultimately tragic queen caught between love, rivalry, and ambition in Antony and Cleopatra are well documented through movies, novels, plays, operas, television, songs, and more. To entice students and educators alike, Ana Maribel designed her work to inspire both scholarly and casual reflection, analysis, and discussion of the works of the most well-known and respected English-language playwright. From the richness of the original plays, the author harvested the extensive detail and profound imagery found in Shakespearean text. To best honor Shakespeare four hundred years after his death, Ana Maribel sought to inspire a global celebration and discussion of his work and its impact on language, theatre, and literature in all segments of human society..

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