Modern Mythology

A book on modern mythology.

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Modern physics has degenerated into mythology. Quantum mechanics (QM) is based on the assumption that "elementary" particles are truly fundamental. This assumption has been invalidated by numerous experiments. By interaction with other particles, quarks and other components of "elementary" particles are pulled apart or squeezed together. Due to such deformations, the complex structures called "elementary" particles accumulate internal energy, which is neglected in the entire Quantum Mechanics literature. Double slit experiments do not justify the abandonment of Classical Physics and the creation of Quantum Mechanics. The interference patterns, which supposedly demonstrate the unique nature of "elementary" particles, are faithfully reproduced with common objects. Correctly applied i.e., without neglecting internal energy, Classical Physics provides a deterministic and unitary description of virtually all quantum phenomena. Classical Physics also explains relativistic effects, i.e., mass increase, length contraction and time dilation without recourse to particular hypotheses like the existence of aether. The components of "elementary" particles are bound by cohesion forces propagating through quanta. The energy of quanta increases with particle velocity according to the Doppler Effect. As a result, the relativistic energy and mass of an "elementary" particle are proportional to the Lorentz factor. This mass increase causes length contraction and time dilation..

Myth meets reality in this one-of-a-kind book that could only come from everyone’s favorite folk hero—Uncle John! The ancient Greeks had Zeus; today we have the Burger King…king. In Modern Mythology, you’ll meet the world’s most fascinating heroes, villains, and corporate spokesthingies. Featuring Bathroom Reader classics plus a few new treasures, you’ll discover truths and untruths, and learn the real stories behind some of today’s tallest tales. So sit back and let Uncle John take you on an epic journey of modern make-believe! Immerse yourself in… • Gnomes in the gnews • The Whopperknocker, Whirling Whumpus, and other cousins of Sasquatch • Ronald McDonald’s relentless rise to the top • On tour with Paul Bunyan • 5 Movies that mythed the point • Who was Kilroy, and why was he here? • Common misconceptions that refuse to go away • Urban Legends that turned out to be true • The secret of the Loch Ness Monster finally explained …and much, much more!.

Richard Stivers’ concern is with the social construction of evil, that is, with how modern societies, in a partly unconscious way, create evil as a category of the sacred and how symbols, myths, and rituals of evil are related to this. He is interested, moreover, in how modern societies provoke individuals to commit evil actions. This fascinating and stimulating book is the first attempt to work out in detail how the concepts of the sacred, symbol, myth, and ritual form a cultural configuration in modern technological societies, and not just in traditional societies..

Hold it! Sit! Stay! That’s better. No, I am not suggesting that you go to the New York Times and tell them, “I have a book, written by the devil. Only he’s not really the devil. He’s an extra-terrestrial. And he’s not evil. He’s God’s good brother. It’s God who is evil.” Do you think I came to you to have you put in a funny farm? You’re to publish my manuscript under your own name, as science fiction. Isn’t science fiction the only format under which any sane moral philosophy could be published for the past fifty years? You agree? I am so glad. I have to go now. The Overlords are waiting to take me home..

Contemporary myths, particularly science fiction and fantasy texts, can provide commentary on who we are as a culture, what we have created, and where we are going. These nine essays from a variety of disciplines expand upon the writings of Joseph Campbell and the hero's journey. Modern examples of myths from various sources such as Planet of the Apes, Wicked, Pan's Labyrinth, and Spirited Away; the Harry Potter series; and Second Life are analyzed as creative mythology and a representation of contemporary culture and emerging technology..

The global economy is a mess. The crash has landed, the tide's swept out, and it's taken our hope with it. There's less in our pockets and more to be spent. The rich have got richer, the middle's squeezed tight, and the poor are being dragged ever downwards. With the true value of money and the human cost of greed firmly in their sights, Proto-type Theater tell the story of how, in the aftermath of the 2008 economic crash, the nation of Iceland raised their voices in protest and railed against the currents. Using original text, performance, film, music and animation, The Audit is about finding strength, overcoming a world designed to keep us docile, and how collective power can move a mountain – even if only a little..

An exploration, within the German literary and cultural tradition, of Wagner's Ring and the treatise Oper und Drama..

In Chinese Mythology, Anne Birrell provides English translations of some 300 representative myth narratives selected from over 100 classical texts, many of which have never before been translated into any Western language. Organizing the narratives according to themes and motifs common to world mythology, Birrell addresses issues of source, dating, attribution, textural variants, multiforms, and context. Drawing on exhaustive work in comparative mythology, she surveys the development of Chinese myth studies, summarizes the contribution of Chinese and Japanese scholars to the study of Chinese myth since the 1920s, and examines special aspects of traditional approaches to Chinese myth. The result is an unprecedented guide to the study of Chinese myth for specialists and nonspecialists alike..

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Publisher description.

This book studies culture in terms of myths and how they function to construct the identity of communities. It focuses on myth formation in the fiction of Chinua Achebe and Amitav Ghosh, two major twentieth century authors from Nigeria and India respectively. The book analyses how these two authors use myth in their works to study the cultural mores of the societies they represent. Achebe represents the Igbo community of Nigeria and Amitav Ghosh represents various communities in India in both the pre-colonial and postcolonial phases, ranging from Bihar to Sundarbans in south Bengal. The book focuses on the area of myth studies in the postcolonial area of study, delving into a comparative study between the two authors and how they contribute to myth studies through their fiction..

First published in 1976, this book provides a helpful introduction to the study of myth as a concept and its relationship to literature. It examines historically some of the leading theories concerning the nature and origins of myth and, with reference to a wide variety of texts, illustrates the relevance of these theories to literature. It also considers the different ways in which myths have been perceived over time, both positive and negative, and the effect this has had on the production of new mythologies. It concludes with an assessment if the problems created by the presence of myth in literature and its use as a tool of literary criticism..

Nietzsche, the Godfather of Fascism? What can Nietzsche have in common with this murderous ideology? Frequently described as the "radical aristocrat" of the spirit, Nietzsche abhorred mass culture and strove to cultivate an Übermensch endowed with exceptional mental qualities. What can such a thinker have in common with the fascistic manipulation of the masses for chauvinistic goals that crushed the autonomy of the individual? The question that lies at the heart of this collection is how Nietzsche came to acquire the deadly "honor" of being considered the philosopher of the Third Reich and whether such claims had any justification. Does it make any sense to hold him in some way responsible for the horrors of Auschwitz? The editors present a range of views that attempt to do justice to the ambiguity and richness of Nietzsche's thought. First-rate contributions by a variety of distinguished philosophers and historians explore in depth Nietzsche's attitudes toward Jews, Judaism, Christianity, anti-Semitism, and National Socialism. They interrogate Nietzsche's writings for fascist and anti-Semitic proclivities and consider how they were read by fascists who claimed Nietzsche as their intellectual godfather. There is much that is disturbingly antiegalitarian and antidemocratic in Nietzsche, and his writings on Jews are open to differing interpretations. Yet his emphasis on individualism and contempt for German nationalism and anti-Semitism put him at stark odds with Nazi ideology. The Nietzsche that emerges here is a tragic prophet of the spiritual vacuum that produced the twentieth century's totalitarian movements, the thinker who best diagnosed the pathologies of fin-de-siècle European culture. Nietzsche dared to look into the abyss of modern nihilism. This book tells us what he found. The contributors are Menahem Brinker, Daniel W. Conway, Stanley Corngold, Kurt Rudolf Fischer, Jacob Golomb, Robert C. Holub, Berel Lang, Wolfgang Müller-Lauter, Alexander Nehamas, David Ohana, Roderick Stackelberg, Mario Sznajder, Geoffrey Waite, Robert S. Wistrich, and Yirmiyahu Yovel..

The contributors to this collection of essays on the literary use of myth in the early twentieth century and its literary and philosophical precedents from romanticism onwards draw on a range of disciplines, from anthropology, comparative literature, and literary criticism, to philosophy and religious studies. The underlying assumption is that modernist myth-making does not retreat from modernity, but projects a mode of being for the future which the past could serve to define. Modernist myth is not an attempted recovery of an archaic form of life so much as a sophisticated self-conscious equivalent. Far from seeking a return to an earlier romantic valorizing of myth, these essays show how the true interest of early twentieth-century myth-making lies in the consciousness, affirmative as well as tragic, of living in a human world which, in so far as it must embody value, can have no ultimate grounding. Although myth may initially appear to be the archaic counterterm to modernity, it is thus also the paradigm on which modernity has repeatedly reconstructed, or come to understand, its own life forms. The very term myth, by combining, in its modern usage, the rival meanings of a grounding narrative and a falsehood, encapsulates a central problem of modernity: how to live, given what we know..

Myth in the Modern Novel: Imagining the Absolute posits a twofold thesis. First, although Modernity is regarded as an era dominated by science and rational thought, it has in fact not relinquished the hold of myth, a more "primitive" form of thought which is difficult to reconcile with modern rationality. Second, some of the most important statements as to the reconcilability of myth and Modernity are found in the work of certain prominent novelists. This book offers a close examination of the work of eleven writers from the late eighteenth century to the beginning of the twenty-first, representing German, French, American, Czech and Swedish literature. The analyses of individual novels reveal a variety of intriguing views of myth in Modernity, and offer an insight into the "modernizing" transformations myth has undergone when applied in the modern novel. The study shows the presence of the "subconscious", the mythic layer, in modern western culture and how this has been dealt with in novelistic literature..