My Diary Ps Anna

This book is a passage of stories carried out in poetry style on the journey I’ve been through while I was growing up and all the negatives I learned to turn into something positive. Something is better than nothing, making the most of all. I’d like to share all the thoughts I had while developing as a child to an adult to help teenagers and ones in need experience hard times by expressing though out my poetic diary..

A literary masterpiece that waited over 200 years to be discovered! This unique diary is a first-hand account by a refreshingly naïve and sensitive young aristocrat unwittingly caught up in the brutal armed invasion of her beloved homeland, Poland. Replete with historical and cultural facts, it amazingly reads more like a mystery novel. Countess Anna and her writings miraculously survived fires, blizzards, murderous pillaging, imprisonment, and narrow escapes from death. The violence inflicted on her person parallels that suffered by her country. Nevertheless, there is levity in Anna's unprecedented descriptions of people from all social classes, and poignancy in her emotions concerning love. This intimate narrative cries through to generations beyond, disclosing such vital issues, still current, such as rape victimization, unplanned pregnancy, forced marriage, social class injustices, constraining traditions, assaults on women, forced confinement, war, betrayal ..., thus linking that bygone era with life today. Our fascinating heroine also can't restrain herself from peeking into and secretly copying down portions of her lascivious cousin Sophia's diary. In "My Delights," Sophia blatantly recounts her wanton sexual adventures. Both Anna and Sophia, as well as the other unforgettable characters, cope quite diversely with the final full capitulation of their country, Europe's first constitutional democracy..

Hannah Callender Sansom (1737-1801) witnessed the effects of the tumultuous eighteenth century: political struggles, war and peace, and economic development. She experienced the pull of traditional emphases on duty, subjection, and hierarchy and the emergence of radical new ideas promoting free choice, liberty, and independence. Regarding these changes from her position as a well-educated member of the colonial Quaker elite and as a resident of Philadelphia, the principal city in North America, this assertive, outspoken woman described her life and her society in a diary kept intermittently from the time she was twenty-one years old in 1758 through the birth of her first grandchild in 1788. As a young woman, she enjoyed sociable rounds of visits and conviviality. She also had considerable freedom to travel and to develop her interests in the arts, literature, and religion. In 1762, under pressure from her father, she married fellow Quaker Samuel Sansom. While this arranged marriage made financial and social sense, her father's plans failed to consider the emerging goals of sensibility, including free choice and emotional fulfillment in marriage. Hannah Callender Sansom's struggle to become reconciled to an unhappy marriage is related in frank terms both through daily entries and in certain silences in the record. Ultimately she did create a life of meaning centered on children, religion, and domesticity. When her beloved daughter Sarah was of marriageable age, Hannah Callender Sansom made certain that, despite risking her standing among Quakers, Sarah was able to marry for love. Long held in private hands, the complete text of Hannah Callender Sanson's extraordinary diary is published here for the first time. In-depth interpretive essays, as well as explanatory footnotes, provide context for students and other readers. The diary is one of the earliest, fullest documents written by an American woman, and it provides fresh insights into women's experience in early America, the urban milieu of the emerging middle classes, and the culture that shaped both..

From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth-century. Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. Having its roots in the late-nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, "wastepaper modernism" arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book's own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature's dark sense of itself as a ruin in the making..

A captivating tale of struggle, loyalty and love, inspired by a true story. From St Petersburg, Russia, 1913, to Tallinn, Estonia, 1919, THE RUSSIAN TAPESTRY spans wars, revolution and friendships that will grow as strong as the turmoil around them. Marie Kulbas, the daughter of a wealthy merchant, is excited about her new life in the vibrant city of St Petersburg. But as World War I escalates she must farewell those dearest to her when her brother and her fiancé leave for the German Front. Colonel Alexei Serov comes from a long line of professional soldiers. Leading his men is his birthright and his duty; his allegiance to Russia surpasses everything, including his obligations to his wife and family. His role is clear, until he meets Marie and suddenly emotions rise in him that he has never felt before. As their world starts to crumble, Marie and Alexei discover a love that they will cling to in their search for a path to safety..

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Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between Stage and Screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium..

The Populist Vision is about how Americans responded to wrenching changes in the national and global economy. In the late nineteenth century, the telegraph and steam power made America and the world a much smaller place. The new technologies also made possible large-scale bureaucratic organization and centralization. Corporations grew exponentially and the rich amassed great fortunes. Those on the short end of these changes responded in the Populist revolt, one of the most effective challenges to corporate power in American history. But what did Populism represent? Half a century ago, scholars such as Richard Hofstadter portrayed the Populist movement as an irrational response of backward-looking farmers to the challenges of modernity. Since then, historians have largely restored Populism's good name. But in so doing, they have sustained a romantic notion of Populism as the resistance movement of tradition-based and pre-modern communities to a modern and commerical society, or even a counterforce to the Enlightenment ideals of innovation and progress. Postel's work marks a departure. He argues that the Populists understood themselves as, and were in fact, modern people. Farmer Populists strove to use the new innovations for their own ends. They sought scientific and technical knowledge, formed highly centralized organizations, launched large-scale cooperative businesses, and pressed for state-centered reforms on the model of the nation's most elaborate bureaucracy--the Postal Service. Hundreds of thousands of Populist farm women sought education, employment in schools and offices, and a more modern life. Miners, railroad workers, and other labor Populists joined with farmers to give impetus to the regulatory state. Activists from Chicago, San Francisco, and other urban centers lent the movement an especially modern tone. Modernity was also menacing, as the ethos of racial progress influenced white Populists in their pursuit of racial segregation and Chinese exclusion. The Populist Vision offers a broad reassessment. Working extensively with primary sources, it looks at Populism as a national movement, taking into account both the leaders and the led. It focuses on farmers but also wage-earners and bohemian urbanites. It examines topics from technology, business, and women's rights, to government, race, and religion. At the dawn of the twenty-first century, business and political leaders are claiming that critics of their new structures of corporate control represent anti-modern attitudes towards the new realities of globalization. The Populist experience puts into question such claims about who is modern and who is not. And it suggests that modern society is not a given but is shaped by men and women who pursue alternative visions of what the modern world should be..

Reproduction of the original: Dream Tales and Prose Poems by Ivan Turgenev.

Is psychoanalysis a narrative of self-knowledge, or a movement of lived time and the body? Psychoanalysis and the Time of Life examines the relationship between therapy and the time of life, presenting an original and thought-provoking re-reading of psychoanalysis in relation to questions of lived time. Jan Campbell investigates the early work of Freud, Janet, Breuer and Ferenczi, linking their ideas to the philosophy of Bergson. The link between psychoanalysis and the question of time connects these early debates with current issues that are central to our global society. Questions considered include: • is the unconscious based on representation or affect? • is the Oedipal Complex hysterical? • how is therapy related to the time of our life? • what is the role of hypnosis, in relation to psychoanalytic theory and transference? • Freud conceptualised the unconscious as timeless space, but what would it mean to think of the unconscious as the very essence of psychic bodily time? This book draws on the fields of traditional psychoanalysis, philosophy, neuroscience, and trauma studies providing a valuable new perspective on familiar concepts such as identity and consciousness. It will be of interest to students across the humanities and social sciences, and practicing psychoanalysts and psychoanalytic psychotherapists..

In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study closely explores emotions and sensations surrounding mortality and longing, with new readings of works by Agnès Varda, Pedro Almodóvar, Ingmar Bergman, Sophie Calle, and many others..

Settle down for the holidays with The Christmas Collection, bringing together three heartwarming festive novels: The Night Before Christmas Married by Christmas Just For Christmas Described as 'the Queen of Christmas chick-lit', author Scarlett Bailey - otherwise known as Rowan Coleman - brings you all the Christmas cheer you could ever need..

The Discourse of Public Participation Media takes a fresh look at what ‘ordinary’ people are doing on air – what they say, and how and where they get to say it. Using techniques of discourse analysis to explore the construction of participant identities in a range of different public participation genres, Joanna Thornborrow argues that the role of the ‘ordinary’ person in these media environments is frequently anything but. Tracing the development of discourses of public participation media, the book focusses particularly on the 1990s onwards when broadcasting was expanding rapidly: the rise of the TV talk show, increasing formats for public participation in broadcast debate and discussion, and the explosion of reality TV in the first decade of the 21st century. During this period, traditional broadcasting has also had to move with the times and incorporate mobile and web-based communication technologies as new platforms for public access and participation - text and email as well as the telephone - and an audience that moves out of the studio and into the online spaces of chat rooms, comment forums and the ‘twitterverse’. This original study examines the shifting discourses of public engagement and participation resulting from these new forms of communication, making it an ideal companion for students of communication, media and cultural studies, media discourse, broadcast talk and social interaction..

Taut, acidly witty, menacingly erotic, and often absolutely terrifying: this is a literary thriller of propulsive force that introduces a powerful storyteller. *An Edgar Finalist for Best First Novel *Semifinalist for the 2017 VCU Cabell First Novelist Award It begins when a meth-addicted grave robber unearths the death mask of Montezuma, setting off a violent struggle for its possession. There is the drug lord who employs him, who would kill for that mask. There is the expat American collector, sinister and possibly mad. There is the greatly respected curator, who for a fee will provide provenances for his country’s looted artifacts, and his long-suffering housekeeper, a deeply religious lesbian in a culture of machismo, who despises her patron. And there is the looter himself, who has stolen the mask and is now running for his life. Above all, there is Anna Ramsey, an American with a history of bad choices, who has hidden behind a mask all her adult life. A deeply wounded woman, Anna knows that masks protect and conceal. Anna is a heroine for our times, as she searches for the courage to remove her mask and show her true face..

This volume, the fourth of five planned in Joseph Frank's widely acclaimed biography of Dostoevsky, covers the six most remarkably productive years in the novelist's entire career. It was in this short span of time that Dostoevsky produced three of his greatest novels--Crime and Punishment, The Idiot, and The Devils--and two of his best novellas, The Gambler and The Eternal Husband. All these masterpieces were written in the midst of harrowing practical and economic circumstances, as Dostoevsky moved from place to place, frequently giving way to his passion for roulette. Having remarried and fled from Russia to escape importuning creditors and grasping dependents, he could not return for fear of being thrown into debtor's prison. He and his young bride, who twice made him a father, lived obscurely and penuriously in Switzerland, Germany, and Italy, as he toiled away at his writing, their only source of income. All the while, he worried that his recurrent epileptic attacks were impairing his literary capacities. His enforced exile intensified not only his love for his native land but also his abhorrence of the doctrines of Russian Nihilism--which he saw as an alien European importation infecting the Russian psyche. Two novels of this period were thus an attempt to conjure this looming spectre of moral-social disintegration, while The Idiot offered an image of Dostoevsky's conception of the Russian Christian ideal that he hoped would take its place..

Winner of the Branford Boase Award 2021, a breathtaking fantasy adventure for fans of His Dark Materials that The Times calls 'Unputdownable'. The City was built on a sharp mountain that jutted improbably from the sea, and the sea kept trying to claim it back. That grey morning, once the tide had retreated, a whale was found on a rooftop. When a mysterious boy washes in with the tide, the citizens believe he's the Enemy - the god who drowned the world - come again to cause untold chaos. Only Ellie, a fearless young inventor living in a workshop crammed with curiosities, believes he's innocent. But the Enemy can take possession of any human body and the ruthless Inquisition are determined to destroy it forever. To save the boy, Ellie must prove who he really is - even if that means revealing her own dangerous secret . . . 'Unputdownable' - The Times 'Enthralling' - The Daily Express 'Sumptuously atmospheric . . . tirelessly inventive' - The Daily Telegraph 'Gripping' - The Guardian 'Energetic and inventive' - Sunday Times 'Gripping and original' - The Observer 'Singularly brilliant' - Kiran Millwood Hargrave, author of The Girl of Ink and Stars and The Mercies 'Compellingly inventive and unpredictable' - Piers Torday, author of The Last Wild 'A terrific debut of strange myths and dark secrets' - The Bookseller (Editor's Choice).