Sweet Nothing

Quit sugar. Change your life. Two years ago Nicole Mowbray gave up sugar and the effects were astonishing. It changed her life, her body, her relationships, her face and her health. Now sugar is under fire and firmly in the dietary spotlight - the World Health Organisation have lowered the recommended daily intake and Britain's chief medical officer Dame Sally Davies has raised the idea that sugar may even be addictive. Nicole's book - part memoir, part guide - will help people to give up sugar. She interviews experts, including nutritionists, cardiologists, and psychologists, to back up the science and explore the link between sugar, validation and our emotions. Nicole shares with readers how she did it, why they should, what they can expect and how they can do it - with recipes, expert tips and help along the way. This book will tell you what to kick and what to keep and how not to fall into the secret sugar traps..

Venus tanga, sugarplum, lemon drop, morning sunshine, hello yellow, beaded bliss, Eve, raspberrys wirl, Amelie, polka dot bloomers, skirt flirt, calla lily, Scarlet, heartbreaker, cupcake cami, Trixie, narcissus, sassafras, girlesque, gardenia, cosmo bustier, blush garter, sugarberry, stargazer..

Discover why readers and critics have called the Coulter family novels “romantic through and through” (Publishers Weekly) with this poignant contemporary romance from New York Times bestselling author Catherine Anderson. Molly Wells is keeping a lot of secrets. Such as why she’s stolen her ex-husband’s expensive stallion and driven him hundreds of miles to the ranch of horse whisperer Jake Coulter. And why she’s arrived with no job, no money, and an all-consuming fear. Molly may be willing to risk everything to save the stallion, but it’s herself she really needs to save… By making a place for Molly on his ranch, Jake suspects that he may be harboring a thief. But there’s something about this courageous yet vulnerable woman that tugs on his heartstrings. He yearns to shower her with the greatest gifts he has to give—his home, his heart, and his life to share. But until she’s strong enough to accept them, all he can offer is the patience to win her slowly, the strength to fight her enemies, and the promise to love her forever….

Cut-throat defense attorney, Jessie Spring doesn’t have time for nonsense, so dating is the last thing on her mind—until she spots the notorious womanizer, Detective Peterson. Peterson doesn’t believe in relationships. Despite his view, when he spots Jessie in the court house, he only has one thing on his mind and he’s willing to do whatever it takes to make his conquest. When Jessie starts receiving rhyming notes from a stalker she turns to Peterson for help. What they end up with is much more than either of them bargained for..

Sweet Nothings is about absences, how they tempt us, and sometimes what they make us do. An absence is a conjuration, not palpably present in longing, imagination or dream. We are lured on by absences, and how they call to us, in Thomas Hardy's memorable phrase. The poems sometimes come in sequences; always they are in dialogue with one another, responding, echoing - within and between the book's two sections. At times, the leitmotifs are apparently personal, exploring divisions and painful losses. But we also encounter the largely invented academic Dr Bob Pintle, promoted at work since his cameo in Waterman's previous book, an anti-hero of the modern university system. In this book we also find the zero football score, the zero scores in life's more significant conflicts, and an obverse: the desire to settle at nothing, or for nothing less than what life might offer. Sweet Nothings is in fact a book of hopes and passions - quiet and lyrical at times, but also fiercely witty and bold..

A collection of poetry about rock music includes such pieces as "Jungle Music," "Meet the Supremes," "Sound Systems," "American Bandstand," and "Elegy for Elvis".

Arts of Engagement focuses on the role that music, film, visual art, and Indigenous cultural practices play in and beyond Canada’s Truth and Reconciliation Commission on Indian Residential Schools. Contributors here examine the impact of aesthetic and sensory experience in residential school history, at TRC national and community events, and in artwork and exhibitions not affiliated with the TRC. Using the framework of “aesthetic action,” the essays expand the frame of aesthetics to include visual, aural, and kinetic sensory experience, and question the ways in which key components of reconciliation such as apology and witnessing have social and political effects for residential school survivors, intergenerational survivors, and settler publics. This volume makes an important contribution to the discourse on reconciliation in Canada by examining how aesthetic and sensory interventions offer alternative forms of political action and healing. These forms of aesthetic action encompass both sensory appeals to empathize and invitations to join together in alliance and new relationships as well as refusals to follow the normative scripts of reconciliation. Such refusals are important in their assertion of new terms for conciliation, terms that resist the imperatives of reconciliation as a form of resolution. This collection charts new ground by detailing the aesthetic grammars of reconciliation and conciliation. The authors document the efficacies of the TRC for the various Indigenous and settler publics it has addressed, and consider the future aesthetic actions that must be taken in order to move beyond what many have identified as the TRC’s political limitations..

(Lyric Library). An unprecedented collection of popular lyrics that will appeal to all music fans! Includes songs from yesterday and today, from Broadway to Rock 'n' Roll. Highlights include: American Pie * Bennie and the Jets * Blueberry Hill * Brown Eyed Girl * Come What May * Don't Cry for Me Argentina * Dream Weaver * Fame * Free Bird * Fun, Fun, Fun * The Girl from Ipanema * Goodnight, Irene * Green River * Hakuna Matata * Have I Told You Lately * Heart of Glass * I Can't Stop Loving You * I Love Paris * I Still Haven't Found What I'm Looking For * Jessie's Girl * Jump * Kansas City * Killer Queen * Last Kiss * Livin' La Vida Loca * MacArthur Park * A Matter of Trust * My Cherie Amour * Now You Has Jazz * Oh Sherrie * Popular * Photograph * Proud Mary * The Rain in Spain * Rocket Man * Runaway * Sixteen Candles * Smells Like Teen Spirit * Somebody to Love * Tears in Heaven * That's Life * These Dreams * Under the Sea * Venus * Walk on the Wild Side * We Are Family * You've Lost That Lovin' Feelin' * Your Mama Don't Dance * Zip-A-Dee-Doo-Dah..

AN UPDATED, COMPREHENSIVE COLLECTION OF LYRICS FROM THE VELVET UNDERGROUND FOUNDER AND SOLO ARTIST LOU REED, INCLUDING INTRODUCTIONS BY MARTIN SCORSESE, LAURIE ANDERSON, JAMES ATLAS, AND NILS LOFGREN I'll Be Your Mirroris an updated, comprehensive volume of Lou Reed's lyrics, featuring a brand-new introduction by Nils Lofgren and a new chapter of lyrics of songs he and Reed cowrote, as well as introductions from several other well-known collaborators and lyrics from Reed's final album with Metallica (Lulu). Through his many incarnations-from protopunk to glam rocker to elder statesman of the avant garde-Lou Reed's work has maintained an undeniable vividness and raw beauty, fueled by precise character studies and rendered with an admirable shot of moral ambiguity. Beginning with his formative days in the Velvet Underground and continuing through his remarkable solo albums like Transformer, Berlin, and New York, I'll Be Your Mirror is crucial to an appreciation of Lou Reed, not only as a consummate underground musician, but as one of the truly significant visionary lyricists of the rock 'n' roll era. Containing a body of work that spans more than six decades, this is a monument to the literary qualities of an American original-and a must-have for music lovers everywhere..

Containing a body of work that spans more than three decades, Pass Thru Fire is a stunning collection of the lyrics of an American original. Through his many incarnations-from proto punk to glam rocker to elder statesman of the avant garde-Lou Reed's work has maintained an undeniable vividness and raw beauty, fueled by precise character studies and rendered with an admirable shot of moral ambiguity. Beginning with his formative days in the Velvet Underground and continuing through his remarkable solo career-albums like Transformer, Berlin, New York, Magic and Loss, and Ecstasy-Pass Thru Fire is crucial to an appreciation of Lou Reed, not only as a consummate underground musician, but as one of the truly significant poets of our time..

When most people think that “little girls should be seen and not heard,” a noisy, riotous scream can be revolutionary. But that’s not the case anymore. (Cis/Het/White) Girls aren’t supposed to be virginal, passive objects, but Poly-Styrene-like sirens who scream back in spectacularly noisy and transgressive ways as they “Lean In.” Resilience is the new, neoliberal feminine ideal: real women overcome all the objectification and silencing that impeded their foremothers. Resilience discourse incites noisy damage, like screams, so that it can be recycled for a profit. It turns the crises posed by avant-garde noise, feminist critique, and black aesthetics into opportunities for strengthening the vitality of multi-racial white supremacist patriarchy (MRWaSP). Reading contemporary pop music – Lady Gaga, Beyonce, Calvin Harris – with and against political philosophers like Michel Foucault, feminists like Patricia Hill Collins, and media theorists like Steven Shaviro, /Resilience & Melancholy/ shows how resilience discourse manifests in both pop music and in feminist politics. In particular, it argues that resilient femininity is a post-feminist strategy for producing post-race white supremacy. Resilience discourse allows women to “Lean In” to MRWaSP privilege because their overcoming and leaning-in actively produce blackness as exception, as pathology, as death. The book also considers alternatives to resilience found in the work of Beyonce, Rihanna, and Atari Teenage Riot. Updating Freud, James calls these pathological, diseased iterations of resilience “melancholy.” Melancholy makes resilience unprofitable, that is, incapable of generating enough surplus value to keep MRWaSP capitalism healthy. Investing in the things that resilience discourse renders exceptional, melancholic siren songs like Rihanna’s “Diamonds” steer us off course, away from resilient “life” and into the death..

Playbook/monologues..

Wörterbuch Studienausgabe PLUS Englisch - für Abitur und fürs Studium Aktueller und umfassender Wortschatz mit vielen Beispielsätzen Mit Infofenstern zu Sprache und Kultur Viele Extras, wie z.B. Kurzgrammatik, Verbtabellen, Musterbriefe, englische Silbentrennung und Zeichensetzung International, mit länderspezifischem Wortschatz aus den USA und Großbritannien sowie aus Österreich und der Schweiz Inklusive Wörterbuch-App: Blitzschnelles Nachschlagen, 100 % offline.

When the faded Australian 1960s girly-pop idol Jill St. Brandelis accepts the flirty-eyed advances of a passionate London fan, tabloid dishonor and two fatalities are the shocking upshot of their wretched romantic misadventure. The outrageous particulars behind the appallingly sensationalist tabloid headlines are blushingly recounted in candid detail by Jills still remarkably beautiful big sister, the fabled 1960s pop culture icon Pill Strathspey..

With poems from spiritual teachers to jazz musicians, from the monastery to the street, What Book!? brings together a boad range of verse, expressions of living in an awakened way. " A poet once located poetry as somewhere before or after words take place. Mindfulness is the practice of finding that realm, dwelling there, and cultivating the ability to live completely in the present, deeply aware and appreciative of life." - from the author's Preface. "This enigmatically titled anthology offers numerous delights and valuable evidence that great poetic variety, from haiku and witty two liners to page-long discourses, has by now given distinct expression to Western Buddhism." - Publisher’s Weekly..

From 1894/95-1935/36, pt.6 of each volume is issued separately, with titles, 1894/95-1902/03: Code list of merchant vessels of the United States; 1903/04-1935/36: Seagoing vessels of the United States..

Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language..