The Madness Underneath Shades Of London 2

When madness stalks the streets of London, no one is safe....

For a quarter of a century, this multiple award-winning annual selection has showcased some of the very best, and most disturbing, short stories and novellas of horror and the supernatural. As always, this landmark volume features superior fiction from such masters of the genre and newcomers in contemporary horror as Michael Chislett; Thana Niveau; Reggie Oliver; Tanith Lee; Niel Gaiman; Robert Shearman; Simon Strantzas; Lavie Tidhar; Simon Kurt Unsworth and Halli Villegas. With an in-depth introduction covering the year in horror, a fascinating necrology and a unique contact directory, The Mammoth Book of Best New Horror remains the world’s leading anthology dedicated solely to presenting the very best in modern horror. Praise for previous Mammoth Books of Best New Horror: 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times. 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney. 'An essential volume for horror readers.' Locus.

Young adults live in a violent culture, so trying to protect them from the world they live in is not only futile but can also be dangerous. No matter their ethnicity, social class, or economic status, teens must know how to survive the perils that may await them. Most teens understand this, and they want books, television shows, and films to reflect the reality of their world—the bad along with the good. In They Hurt, They Scar, They Shoot, They Kill: Toxic Characters in Young Adult Fiction, Joni Richards Bodart examines works of fiction that feature characters who threaten the psychological and physical well-being of teens and their friends and families. In this companion volume to They Suck, They Bite, They Eat, They Kill, the focus is on individuals who prey on the vulnerable: bullies, manipulators, torturers, sexual predators, and sadists. The novels and stories discussed in this volume feature adult criminals or predators who look for young people to ensnare; school personnel who interact with students in harmful ways; teens who bully others in order to hide their own fears and weaknesses; and parents, siblings, and others who mistreat family members. Arranged in five sections that cover such topics as bullies, school shootings, and monsters at home, this volume analyzes the most important and well-written series and titles for teens. They Hurt, They Scar, They Shoot, They Kill will help parents, teachers, and other adults understand the value of these titles and the benefits of reading them, so they will be less likely to forbid them to their teens or challenge library collections for carrying them..

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A bundle of books #1 (SHADOWSEER: LONDON), #2 (SHADOWSEER: PARIS), and #3 (SHADOWSEER: MUNICH) in Morgan Rice’s Shadowseer series. This bundle offers books one, two, and three in one convenient file, with over 150,000 words of reading. From #1 bestselling author Morgan Rice, a USA Today bestseller and critically-acclaimed author of the fantasy series The Sorcerer’s Ring (over 3,000 five-star reviews) and the teen fantasy series The Vampire Journals (over 1,500 five-star reviews), comes a groundbreaking new series and genre, where fantasy meets mystery. SHADOWSEER: LONDON (Book #1) tells the story of Kaia, 17, an orphan coming of age in the Victorian London of the 1850s. Yet the streets of London are as brutal as the orphanage, and for Kaia, there is no easy way out. When Kaia, arrested, faces an even worse punishment, Detective Pinsley, 45, notices a strange marking on her arm and thinks she might be the key in solving a peculiar, mysterious case. Bodies are turning up dead in London, and Pinsley wonders whether it’s the work of a deranged serial killer, or of something….else. The methods of murder seem impossible, as does the murderer’s ability to escape death. Kaia is given a choice: help solve the case, or be shipped off to Bedlam, the notorious insane asylum. SHADOWSEER: PARIS (Book #2) continues the story of Kaia, 17, an orphan coming of age in the Victorian Europe of the 1850s. Kaia and Pinsley embark to scour the dark corners and cobblestone streets of 19th century London in search of clues. Yet what they find may shock and horrify even them. In SHADOWSEER: MUNICH (Book #3) the brilliant Detective Pinsley takes Kaia under his wing and enlists her help in solving a series of mysterious and bizarre murders sweeping over Europe. The two of them become unlikely partners. Are they part of a greater war of light versus dark? And is Kaia the only one who can stop it? Dark fantasy meets mystery in SHADOWSEER, a page-turning, atmospheric thriller packed with authentic period detail, with twists and cliffhangers that will leave you on the edge of your seat. Kaia, a broken hero, will capture your heart as she struggles to claw her way up from the depths, and to solve unsolvable crimes. Fans of books such as Spellbreaker, The Dresden Files, Mortal Instruments and Dr. Jekyl and Mr. Hyde will find much to love in SHADOWSEER, satisfying fantasy fans who appreciate mystery and suspense, and mystery lovers who want something new, a clean hybrid that will appeal to both adult and young adult readers. Get ready to be transported to another world—and to fall in love with characters you will never forget. SHADOWSEER: ROME (Book #4) and SHADOWSEER: ATHENS (Book #5) are also available..

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This prize-winning biography, newly revised, sees Virginia Woolf as she saw herself. The first to set out the private life behind the well-known facts of her public career, A Writer's Life rocks back and forth between memories and art to reveal an explorer of 'the infinite oddity of the human position'. Instead of the doom-and-death often imposed on women of genius, here is the robust walker and seeker for what was fertile in her intimacies, in women's nature, and in resistance to power. This edition brings out her ideas for biography itself: to fall on a life 'like a roll of heavy waters... laying bare the pebbles on the shore of the soul'..

In this ambitious and exciting work Richard Maxwell uses nineteenth-century urban fiction--particularly the novels of Victor Hugo and Charles Dickens--to define a genre, the novel of urban mysteries. His title comes from the "mystery mania" that captured both sides of the channel with the runaway success of Eugene Sue's Les mysteres de Paris and G. W. M. Reynold's Mysteries of London. Richard Maxwell argues that within these extravagant but fact-obsessed narratives, the archaic form of allegory became a means for understanding modern cities. The city dwellers' drive to interpret linked the great metropolises with the discourses of literature and art (the primary vehicles of allegory). Dominant among allegorical figures were labyrinths, panoramas, crowds, and paperwork, and it was thought that to understand a figure was to understand the city with which it was linked. Novelists such as Hugo and Dickens had a special flair for using such figures to clarify the nature of the city. Maxwell draws from an array of disciplines, ideas, and contexts. His approach to the nature and evolution of the mysteries genre includes examinations of allegorical theory, journalistic practice, the conventions of scientific inquiry, popular psychiatry, illustration, and modernized wonder tales (such as Victorian adaptations of the Arabian Nights). In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode the popular mysteries of the era and to reveal man's evolving consciousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in the nineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge..

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An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al)..

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When a man is tired of London he is tired of life; for there is in London all that life can afford - Samuel Johnson In fact, Dr Johnson was only half right. There is in London much more than life - there is power. It ebbs and flows with the rhythms of the city, makes runes from the alignments of ancient streets and hums with the rattle of trains and buses; it waxes and wanes with the patterns of the business day. It is a new kind of magic: urban magic. Enter a London where magicians ride the Last Train, implore favours of The Beggar King and interpret the insane wisdom of The Bag Lady. Enter a London where beings of power soar with the pigeons and scrabble with the rats, and seek insight in the half-whispered madness of the blue electric angels. Enter the London of Matthew Swift, where rival sorcerers, hidden in plain sight, do battle for the very soul of the city . . ..

From Puritan Execution Day rituals to gangsta rap, the black criminal has been an enduring presence in American culture. To understand why, Jeannine Marie DeLombard insists, we must set aside the lenses of pathology and persecution and instead view the African American felon from the far more revealing perspectives of publicity and personhood. When the Supreme Court declared in Dred Scott that African Americans have "no rights which the white man was bound to respect," it overlooked the right to due process, which ensured that black offenders—even slaves—appeared as persons in the eyes of the law. In the familiar account of African Americans' historical shift "from plantation to prison," we have forgotten how, for a century before the Civil War, state punishment affirmed black political membership in the breach, while a thriving popular crime literature provided early America's best-known models of individual black selfhood. Before there was the slave narrative, there was the criminal confession. Placing the black condemned at the forefront of the African American canon allows us to see how a later generation of enslaved activists—most notably, Frederick Douglass—could marshal the public presence and civic authority necessary to fashion themselves as eligible citizens. At the same time, in an era when abolitionists were charging Americans with the national crime of "manstealing," a racialized sense of culpability became equally central to white civic identity. What, for African Americans, is the legacy of a citizenship grounded in culpable personhood? For white Americans, must membership in a nation built on race slavery always betoken guilt? In the Shadow of the Gallows reads classics by J. Hector St. John de Crèvecoeur, Edgar Allan Poe, Frederick Douglass, Herman Melville, George Lippard, and Edward Everett Hale alongside execution sermons, criminal confessions, trial transcripts, philosophical treatises, and political polemics to address fundamental questions about race, responsibility, and American civic belonging..

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