The Ship Of Fools

Definitive English language edition of influential (1494) allegorical classic. Sweeping satire of the weaknesses, vices, and grotesqueries of the day. Includes 114 royalty-free illustrations. Brant biography, and more..

Definitive English language edition of influential (1494) allegorical classic. Sweeping satire of weaknesses, vices, grotesqueries of the day. Includes 114 royalty-free illustrations..

The characters on Norminton's purgatorial 'Ship of Fools' - a ship that's going nowhere fast - bicker and struggle for attention; telling tales that bounce off one another to form a compendium of interralated stories, running from lyrical romance to scabrous satire, by way of fairy-tale and black comedy. Often wickedly funny, always stunningly written and displaying an astonishing range of voices (the prudish nun, the bawdy old woman, the penitent drunkard, and the glutton whose stomach does all the talking - to name a few) 'The Ship of Fools' is truly a treasure chest of a novel, and an example of story-telling at its very best..

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This is the incredible true story of the three thousand mile voyage of a United States luxury cruise liner to a tiny US territory and return. It carried the most important cargo of history: governors of all fifty states accompanied by their families, high level representatives of the president, CEOs of Fortune 500 companies, and the cream of the crop of the news media. This story has never before been documented. It is a part of our history which will never again be repeated, particularly in these terror-filled times. This is the story of the 1967 Governors' Conference held aboard the SS Independence en route to the United States Virgin Islands and return, a voyage which at the time was dubbed the 'Ship of Fools.'.

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Sekula's final work dedicated to labor solidarity in and around the docks Ship of Fools / The Dockers’ Museum is the project on which the US artist and writer Allan Sekula worked during the last three years of his life (2010–2013). The work consists, first, of a corpus of thirty-three framed photographs and two slide projections of in total over one hundred images, all made by the artist (Ship of Fools); second, it contains a gigantic collection of various objects, graphic images, postcards, and prints which the artist purchased, mostly online (The Dockers’ Museum). Sekula dedicated this work to both historical and contemporary labor solidarity in and around the docks. At the time of his sad passing in the Summer of 2013, Allan Sekula was in the midst of collaborating on this publication with all four contributing authors: Gail Day, Steve Edwards, Alberto Toscano, and Hilde Van Gelder, each of whom he had asked to write essays. This volume, which includes a representative ensemble of images and objects that are part of Ship of Fools / The Dockers’ Museum, follows as closely as possible the instructions given by the artist and is the first substantial scholarly analysis of this impressive project. It contains a preface by Jürgen Bock and Bart De Baere, who both curated exhibited installations of the work during the artist's lifetime. The volume also includes draft text materials written by the artist himself, as well as selections from the multitude of unpublished interviews, public debates, and lectures that Allan Sekula delivered between 2010 and 2012. Finally, this publication includes a moving essay on the project by the artist's widow, Sally Stein..

This “dazzling” National Book Award finalist set aboard an ocean liner in 1931 reflects the passions and prejudices that sparked World War II (San Francisco Chronicle). August 1931. An ocean liner bound for Germany sets out from the Mexican port city of Veracruz. The ship’s first-class passengers include an idealistic young American painter and her lover; a Spanish dance troupe with a sideline in larceny; an elderly German couple and their fat, seasick bulldog; and a boisterous band of Cuban medical students. As the Vera journeys across the Atlantic, the incidents and intrigues of several dozen passengers and crew members come into razor-sharp focus. The result is a richly drawn portrait of the human condition in all its complexity and a mesmerizing snapshot of a world drifting toward disaster. Written over a span of twenty years and based on the diary Katherine Anne Porter kept during a similar ocean voyage, Ship of Fools was the bestselling novel of 1962 and the inspiration for an Academy Award–winning film starring Vivien Leigh. It is a masterpiece of American literature as captivating today as when it was first published more than a half century ago. This ebook features an illustrated biography of Katherine Anne Porter, including rare photos from the University of Maryland Libraries..

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant..

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A novel recounting the lives and actions of the passengers on a ship en route from Mexico to Germany in 1931.

For more than 50 years John Clute has been reviewing science fiction and fantasy. As Scores demonstrates, his devotion to the task of understanding the central literatures of our era has not slackened. There are jokes in Scores, and curses, and tirades, and apologies, and riffs; but every word of every review, in the end, is about how we understand the stories we tell about the world. Following on from his two previous books of collected reviews (Strokes and Look at the Evidence) this book collects reviews from a wide variety of sources, but mostly from Interzone, the New York Review of Science Fiction, and Science Fiction Weekly. Where it has seemed possible to do so without distorting contemporary responses to books, these reviews have been revised, sometimes extensively. 125 review articles, over 200 books reviewed in more than 214,000 words..

Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses..

In Fools’ Paradise Nicholas Hagger presented the UK’s attempt to leave the EU under Prime Minister Theresa May in terms of the voyage of Sebastian Brant’s 1494 Ship of Fools heading with a mutinous crew for the illusory, nonexistent paradise of Narragonia. His mock-heroic satirical poem on the political chaos surrounding the most important UK decision since the Second World War is in rhymed heroic couplets, in the tradition of Dryden and Pope. In this sequel, Fools’ Gold, Hagger focuses on the beginning of Boris Johnson’s premiership, the promises that won him the 2019 General Election with an 80-seat majority, and his removal of the UK from the EU, only to be engulfed by the deadly Covid pandemic which has devastated the UK economy. Hagger describes the catastrophic national events in heroic blank verse, which befits the darkening mood. The UK public has been promised a new Golden Age, an age of plenty, and it remains to be seen whether there will be prosperity for all - gold - now that the UK is facing colossal debt outside the EU, or whether the promises will turn out to be worthless iron pyrites: fools’ gold..

The death of the Celtic tiger is not an extinction event to trouble naturalists. There was, in fact nothing natural about this tiger, if it ever really existed. The "Irish Economic miracle" was built on good old-fashioned subsidies (from the European Union) and the simple fact that until the 1980s Ireland was by the standards of the developed world so economically backward that the only way was up. And as it began to catch up to European and American averages, the Irish economy could boast some seemingly remarkable statistics. These lured in investors, the Irish deregulated and all but abandoned financial oversight, and a great Irish financial ceilidh began. It would last for a decade. When the global financial crash of 2008 arrived it struck Ireland harder than anywhere - even Iceland looked like a model of rectitude compared to the fiasco that stretched from Cork to Dublin. There was an avalanche of statistics as toxic as the property-based assets that lay beneath many of them And under all this rubble lay the corpse of the Celtic Tiger. How Ireland managed to achieve such a spectacular implosion is a stunning story of corruption, carelessness and venality, told with passion and fury by one of Ireland's most respected journalists and commentators..