The Solitary House Charles Maddox 1

As a primary record of one of the founders of the Wesleyan/Methodist movement, Charles Wesley’s Journal is crucial to an understanding of the beginnings of that movement. It is an indispensable interpretive companion to John Wesley’s Journal, diaries, and letters. Since it provides important background to the context of Charles Wesley’s own lyrical theology expressed in sacred poetry, it is likewise absolutely essential for anyone who wants to understand the context out of which Wesleyan theology, worship, spirituality, hymnody, and conferencing emerged. For a church or movement which avers that “it sings its theology,” Charles Wesley’s Journal is an imperative. This volume is part of a series dedicated to providing a complete and accurate published collection of Charles Wesley manuscript items beyond his sermons and verse. The various items included in the series constitute crucial primary texts for study of Wesley’s life, his ministry, and his increasingly contentious position within Methodism in his later years. The first two volumes of the series were devoted to Charles Wesley’s Manuscript Journal, a single bound item held at the Methodist Archives and Research Centre. The present volume gathers a number of scattered items (the majority also held at MARC), many of which are earlier—and more complete—drafts of material in the Manuscript Journal. The third major component of the series is publication of all of Charles Wesley’s surviving personal correspondence, which are replete with material of biographical and larger historical interest. This second edition adds journal letters and records from December 1716-January 1717 (Accounts of “Old Jeffrey”) and May 12-June 14, 1746..

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Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses..

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In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility..

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